The humour may not be to everyone’s taste, but it has nevertheless been done well and consistent. Comments like ‘let me touch your boobs’ or ‘can I squeeze your butt?’ aimed at full grown men, commonly come out of Haru’s mouth. The humour is mostly centred around Haru and his very bubbly, very forward, nature.

Comedy does indeed play a part in this game. On the surface this visual novel looks to be all about the comedy, presenting us with an airhead hero and some grumpy men unwilling to put up with Haru’s advances. His colleagues (and potential love interests) dub the newcomer as Haru. The premise is that the protagonist loses his memories in the accident, and so Kouichi kindly offers to repay his saviour by giving him an apartment and a place to work at his bar until his memories come back. Our protagonist, a young twenty-something male with an impish grin, becomes the victim of this crime by pushing the car’s original target, a burly man named Kouichi, out of the vehicle’s path. No, Thank You!!! throws us right in by starting with a hit-and-run incident. The plot for this game is anything but simple or straightforward. This caution by Manga Gamer is completely understandable, as the failure of Absolute Obedience and Enzai came down to poor sale figures in the end. The reasoning is that No, Thank You!!! should have a wider appeal for buyers, supposedly making it a safer choice in terms of sale figures. This mixture of audiences is one of the key reasons why Manga Gamer chose No, Thank You!!! as its first BL game. Saying that, No, Thank You!!! has made a great effort to attract male fans, even going as far as to create sexual scenes in the form of male- eroge, rather than the slightly sweeter scenes a fujoshi (female BL fan) may expect. Despite what people may think at first, the genre is less targeted at a male audience (though it does have male fans), and more targeted at a female fan base. BL is a genre where male characters romance other male characters.

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